Balzac&Nadar from the book "On Photography"

The photo's speak up, even more action and since the picture is taken. But there are some sources, and these are to be read as both photographic and deserves to be read as a book. These readings will create in the future, the list of recommended between for now Suzan Sontag's "On Photography" from the book excerpts and I made this quote for me I'm going to share their testimony. First of all, I think you should specify that it's my second time I reread the book underlined sections I was thinking about what I share, but nearly half of the book underlined sections, I found it more appropriate to make a selection from the call.

"As everyone knows, primitive people scared that the camera will take a portion of its assets. At the end of a very long life, published his memoirs in 1900, Nadar, Balzac's photo is similar to "a vague fear" against either. According to the description of the Balzac Nadar was;

While the natural representation of people in layers placed on top of each other forever wrapped with extremely thin membrane made of a series of images of ghostly ... People couldn't create in no time, I mean a dream or something intangible material, or have no object out of nothing. – then the process is focused on each Daguerre body will take one of the layers, will consume and skimmed off. "

On the work of Nadar's portrait photos as it is known, is the photograph of Balzac. At the same time period, they interact with the co-author Julse Verne and, consequently, Nadar's been visiting a balloon top Paris Photo myself, or I read somewhere what I remembered. As mentioned, it is understood that to Nadar and Balzac was in contact during a specific period, and Nadar Balzac port of.

The main thing I want to focus on is the idea that formed on the photos of Balzac. Some long-rip off something you bought agree with the human life, especially when faced with a camera that I can see more clearly in one. A little boy in the first photographic camera when I think of a man of the age are experiencing both the need for defensive reflex may be relevant with this show. When I think of Balzac's ideas here man creating a Visual artifact of the camera a with photos and memories get camera time between the moment the first met this will be clearer presentation of all. On the other hand, people sometimes hide realities of their own photos could appear. Let me try to explain it as follows. "wrapped with extremely thin membrane is ghostly" section of the feelings and emotions that may be outside the control of the people and even assuming that the feelings can be unacceptable. In this case you need to know of Balzac. I don't think I knew just enough idea. The second part is these feelings never become adequate and clear entity stated that whether as a deep pain that artists ideas into some feelings and thoughts on conversion anxiety. This constitutes the photo can be seen in the photos these feelings is met, photo taken of anything from the people as he transferred his thoughts be consumed. So deeply in the photo hissettirilen feelings and thoughts are actually photographed has about life of an object that may be one of the emotions that make up the thin membrane and presenting it visually focus on the process.

What I'm trying to resolve in my own thoughts section will be explained in this way, and the truth is about "natural state" to joining the boundary of Balzac.